I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..? I was stupid forgot my login password. I would love any tips you can offer me
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots. Dans l'ordre : 0:01 Tal Farlow (guitare archtop hollow body) 2:02 Larry Coryell (guitare hollow demi caisse) 4:33 John Abercrombie (guitare solid body avec table de résonance) 6:33 John Scofield (guitare semi hollow) 9:00 Larry Carlton (guitare solid body sans table) 10:59 All together And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné ! (.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
If a winner must be named, with all that stunning world class talent, the only winner is THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists. Where was Clapped Out Eric in this jamboree? He could have changed any busted strings for them. And I'm a tenor/baritone player! What do I know? A damned sight more......NOW!
Anyone who is mature enough now can appreciate actually a sound of guitar,I was still a fan of heavy metal 1980s (Eddie,Randy,Jake)including (Roy Clark,Jerry Reed,Glenn Campbell)I just look on RUclips for videos of great guitar players today,Kingfish,Billy Strings,Joe B. John 5..anyone have others comes to mind?
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos! AMARZING!
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
@@eltiempoyelespacionoexisten 'played shit'? Played less notes for sure, I wouldn't call it 'far from the level'.Nothing wrong w/ playing less, no wasted notes, great phrasing, melodic and yes simple and effective. But that's my opinion.
@@eltiempoyelespacionoexisten No, it doesn't lack 'language'.Music is a Language. The different styles are like 'idioms'. My guess is you meant to say 'vocabulary'. You mean he doesn't play expected 'jazz lines', cliches? Coryell went into som pretty country/wester rock licks, completely 'off' in terms of 'Jazz style' yet, I don't see you criticizing him. Nevertheless seem to me you know nothing about Larry Carlton's playing ability.. Don't you think he can play more than a few notes? don't you think he know how to solo over the changes of 'Autumn Leaves'? Have you ever listened to him playing and improvising over anything other than this. Because it sounds like you haven not. Larry Carlton chose to use a few notes because: Most everybody else had played plenty, shitting gears and going for something different and unexpected and 'less' is sometimes the most refreshing approach. More importantly, he used just the right notes to make the changes, even if they aren't all spelled out note for note, he's fully aware of them. Do yourself a favor and go listen to some of Carlton's classic solos: 'Kid Charlemagne', 'Don't Take Me Alive', (both w/ Steely Dan) and solo tracks like 'Nightcrawler', 'Room 335', also check out his excellent live record 'Last Night' - plenty of 'jazz vocabulary' on that one. Another great example of his incredible ability to play over changes is the solo on Christopher Cross' 'I Really Don't Know'. Then come back and try to tell me if he 'can't play over changes'.
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
![Martino,Scofield & DeFrancesco - SUNNY [High Quality]](http://i.ytimg.com/vi/syercy760YQ/mqdefault.jpg)
John Abercrombie and john scofield are great....
And were close friends.
RIP John Abercrombie.
I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
Well said these are my heroes and have helped to elevate jazz and fusion music not just guitar 🎸
I are really taking care of Monkey's opinions ?
They’re fools. Lol. Don’t be so dramatic. Represent.
the look of delight on Tal’s face as he watches each of these younger guitarists...
I did a interview with Mr. John Scofield, what an honor to meet him!
The great Larry Coryell...r.i.p.
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
Great
Funny that Mr. 335 is playing a solid body here.
John Abercrombie! if we are talking about jazz....the best sound, style, taste...
He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
Pattitucci is absolutely burning it down on bass!
🔥
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..?
I was stupid forgot my login password. I would love any tips you can offer me
@Bryce Eden instablaster =)
@@bryceeden6237 i don't use that one it's not as good as "people" say
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
Farlowe, the grandaddy of them all, and with the most depth of feel from that old school.
Schofield the most melodic. He killed it.
Melodic? He's more dissonant than melodic.
@@troysanders7775 melodic dissonance. look it up.
@@troysanders7775 He's melodically dissonant
@sjb7183 He's rarely melodic which is why most guitarist I know don't like his playing. I also hate his tone but many like him.
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Abercrombie, Coreyll, Scofield, Farlow and Carlton. That's some serious guitar royalty going on there.
Suits and ties at 120 bpm..and energetic...and no heart attacks!....God is amazing
Closer to 250
Abercrombie has the unorthodox solo style...very cool
I love the way Tal is looking at everyone. He obviously loves guitar music and those that make it.
Awesome J Abercrombie and J Scofield🤩😍💖💖💖
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
the best comment sir
+chi1984 Thamk you, sir. I am just an amateur player.
Ricardo Moraes-Pinto what else could we ask for? Honestly?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
Coryell (RIP) was a virtuoso, but he IS a hot dog here, no question.
Billy Hart holding it all together! Amazing!!! Loved it!!!!1
John Pattitucci played the best guitar solo on the big weird guitar
😆
I've met abercrombie, such a nice guy. Loved his solo on this too. Gotta say scofield and abercrombie really said some great stuff.
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
🤧👍
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
They probably would be honored if you were sitting with them.
Pattitucci fait tout le travail, l'importance d'un bon bassiste !
Abercrombie.... Que barbaridad! Que maravilla!!!
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
The first two minutes are all I need - Tal is my man !
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots.
Dans l'ordre :
0:01 Tal Farlow (guitare archtop hollow body)
2:02 Larry Coryell (guitare hollow demi caisse)
4:33 John Abercrombie (guitare solid body avec table de résonance)
6:33 John Scofield (guitare semi hollow)
9:00 Larry Carlton (guitare solid body sans table)
10:59 All together
And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné !
(.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
This should have 100 million views.
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
Awesome use of whole tone scales thrown in by Sco.. so freakin cool and "outside"..!!!!!!!!
man.. I wish I had john abercrombie's ear
I wish I had his moustache
as warrenZevon once sang "id like to know his tailor"
Loved his solo. How dare he take that talent to the grave. RIP Aber.
Con Artist i know it’s not a competition but O what a soul that man had
Bit weird are you a cannibal??
These two solid guitars are especially great. Thanks for the good music.
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
This is interesting! Many top-notch guitarists backed by favorites Patitucci and Hart...beautiful standard...live! What more could a girl ask for?
ive commented on Pattitucci after gig shenanigans,perhaps that is what a girl wants?????
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
Carlton isn’t really a jazz man.
And here’s the proof.
nice collection of different generations and styles. Wonderful!
Abercrombie is from another planet..."Backward Glance" For those who in this noisy turmoil still look for essence
Larry carlton tocas espectacular!!..eres melodico en el jazz!!
Abercrombie has the best time of the bunch
Yes!
A lot of guitar right there. Thanks for making available. Looks as if they all coincidentally were to get married later that day!
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
He was out of his league here with true bebop players.
Farlow and Coryell are peerless!
If a winner must be named, with all that stunning world class talent, the only winner is
THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists.
Where was Clapped Out Eric in this jamboree?
He could have changed any busted strings for them.
And I'm a tenor/baritone player! What do I know?
A damned sight more......NOW!
I was at this show--incredible gathering of players!
tell me who can dislike a piece o ART like this!!
Scofield is so out of place but then not. Love it.
Pattitucci -what a Monster ! Man he got around
Hard to pick a favorite, they all have their own very cool take on this.
Music is not a competition. But by god, these are the best of the best :)
the incredible scofield
@ boring is carlton, sco is amazing
scofield el Mejor sin duda ....
What a perfect discovery on this Autumn evening - 1st of November - the day after Halloween
10:29 - Abercrombie be like "WTF did i just hear pentatonic?!"
タル・ファーロウ最後の花舞台。最高です。
Anyone who is mature enough now can appreciate actually a sound of guitar,I was still a fan of heavy metal 1980s (Eddie,Randy,Jake)including (Roy Clark,Jerry Reed,Glenn Campbell)I just look on RUclips for videos of great guitar players today,Kingfish,Billy Strings,Joe B. John 5..anyone have others comes to mind?
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos!
AMARZING!
Giants of jazz guitar as never before..whooah!!!!
Abercrombie playing my favourite axe, the Ibanez Artist!
ambercrombie and scofield amazing
no judgement, just hands down, flat out spectacular. thanx for that gentleman!
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
great marvelous master piece.
autumn leaves the jazz standard no.1.
anyone know this melody n so many musicians try to play.
melancholy.
bravo brava
John Scotfield and Abercrombie are now my favorites guitarists, besides Kurt Rosenwinkell , Pat Metheny and Guthrie Govan
We are here, and we still exist,
That is fricking nuts. Amazing.
John Abercrombie tho! wow, stole the show imo.
Quite a collection of contemporaries!
Sco is absolutely burning!
Well done that bloke who finished it.😂.... wouldn't have thought it was possible myself 👍.😂....
All of these players were an inspiration to me a as a young guitarist.
Wow amazing! All of them!!!!!!!
john a and john s are superb here-tone ideas and just straight up badassery!!!!!!
amazing group of characters!
ギタリスト皆さん方のプレイ、トーン、アクション、素晴らしく思い、楽しませて貰いました。
日本人にはロックトーンのイメージのＡＲのフロント(super58？)、は凄く、カールトン(私のFavarit)ＶＡのＥＭＧのジャズトーンより、
【ある面】
凄まじく、インパクト有るものでした。
日本人で、ＡＲをあのように使いこなせる人はいないかと思い、スコフィールド、(ベンソンも)等含め、ｌｂａｎｅｚｅのジャズトーンの実力に刮目させられ、時を忘れた感覚でした。
投稿者さんの、素晴らしい投稿に感謝します。
Played with Larry, great jam!
Simply exquisite!
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
Pure joy so many great musicians in one stage great thanks
Guitar at it's most creative and beautiful!! Killer
I've been looking for this concert forever since I lost mine! Thanks!!!!!
!!So much ideas,so much talents !! Great Réunion ! thanks !!
Abercrombie and Scofield...so modern...
Later that night, Patitucci was trying to sleep but still moving his fingers doing invisible basslines.
@@kevinpratt7105 wtf
10:29 -- every time you do a bend on standards, thats the face of a jazz-purist guitarist!
+Giada Jade Ferrarin Cus Scofield is totally a jazz-purist. XD
of course :P
theMstanglover of course :P
+Giada Jade Ferrarin Every time you make a shit out of time etc..., thats the face of a real musician...
+Adrian Fernandez obviusly everyone can and has to play like he/she wants no matter bendings or tapping :) i was joking of course :P
Scofield master of outside playing... outstanding...
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
That was His thing.... Beautifuly expressed by You as "wonderful compressing of idioms and styles"... Larry Coryell ❤
Talk about a Master Class in guitar improvisation!
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
Nice bass as well.
Tal Farlow's Touch!!
Thank you for your comments.As you know ,each guitarlist has a very strong individuality.That's the best feature!
Carlton is on the another level! man, he plays insane!
@@eltiempoyelespacionoexisten Carlton hater! Wow! What's wrong w/ his solo?
@@eltiempoyelespacionoexisten 'played shit'? Played less notes for sure, I wouldn't call it 'far from the level'.Nothing wrong w/ playing less, no wasted notes, great phrasing, melodic and yes simple and effective. But that's my opinion.
@@eltiempoyelespacionoexisten No, it doesn't lack 'language'.Music is a Language. The different styles are like 'idioms'. My guess is you meant to say 'vocabulary'. You mean he doesn't play expected 'jazz lines', cliches? Coryell went into som pretty country/wester rock licks, completely 'off' in terms of 'Jazz style' yet, I don't see you criticizing him. Nevertheless seem to me you know nothing about Larry Carlton's playing ability.. Don't you think he can play more than a few notes? don't you think he know how to solo over the changes of 'Autumn Leaves'? Have you ever listened to him playing and improvising over anything other than this. Because it sounds like you haven not. Larry Carlton chose to use a few notes because: Most everybody else had played plenty, shitting gears and going for something different and unexpected and 'less' is sometimes the most refreshing approach. More importantly, he used just the right notes to make the changes, even if they aren't all spelled out note for note, he's fully aware of them. Do yourself a favor and go listen to some of Carlton's classic solos: 'Kid Charlemagne', 'Don't Take Me Alive', (both w/ Steely Dan) and solo tracks like 'Nightcrawler', 'Room 335', also check out his excellent live record 'Last Night' - plenty of 'jazz vocabulary' on that one. Another great example of his incredible ability to play over changes is the solo on Christopher Cross' 'I Really Don't Know'. Then come back and try to tell me if he 'can't play over changes'.
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
No limite da perfeição.
Obrigado *
I LOVED ALL OF EM
Sco and Abercrombie ❤💥
Abercrombie so good player! Of course,Scofield too!
2年前からひろゆきとヒゲおやじの切り抜きやっててアバークロンビー好きとかあなたただ者じゃない！
Coryell is the Santana of jazz